Thelma Thornton was born in Cambridge, Massachusetts
on January 23, 1909.
Upon graduating from Cambridge Rindge and Latin
School at age sixteen, a friend who also was “interested
in dramatics” suggested the two apply to Emerson
College. At the time there was one other black student,
Grace Postles, in Thelma’s class.
As there was no theatre departmentment Thelma received
a B.L.I., a Bachelor of Literary Interpretation.
Asked if Emerson was a very liberal school. Thornton
said,
“Well, it was not; we had a lot of Southerners
there, and at that time in Boston in the 20s
they didn’t want you to live in the dormitories.
Of course, I lived in Cambridge. I commuted just
across the Charles River.” She recalls
no encounters with discrimination. "I was
just loving living at that time. If there was
discrimination I didn’t know it.”
Thelma remembers the Allied Arts Center,
founded by Maud Cuney Hare, as the first
black theatre group in Boston.
“It was Mrs. Hare’s baby. It was
her dream to fulfill, of letting the people at
that time know that there was some talent within
our group and not only just dancers and theatre
people, singers, but people who could create
beauty in literature and in the dance and in
drama.” (The Center was technically interracial,
but )“of course the majority were our people.”
Thelma herself ran one of the workshops, a children’s
group that met on Saturdays. She organized a small
group that she called the University City Players,
one of whom was a man named Bill Howard, which functioned
for three years.
Thelma was away from Boston for four years.
When Thelma finished Emerson she could not find
work but was hired to teach English and dramatic
arts at the Palmer Memorial Institute, directing
three plays a year.
Returning to the city when her mother died, she
headed a dramatics group at the Robert Gould
Shaw House, teaching voice and gesture, and
at the summer camp.
She met her future husband, the Reverend Wynn, when
he arrived from Florida to spend two years at the
Boston University School of Theology and a third
year at Andover Newton Seminary. A Baptist, Reverend
Wynn “got the missionary fever to go to Africa,”
an event that changed the course of Thelma’s
life.
Her most important role in Allied Arts theatre was
the female lead in “Antar of Araby,”
a major production staged at the Fine Arts Theatre.
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